2018 reading: a prospectus

With any luck, I’ll be moving in mid-2018, so it’s not the best time to be accumulating books. My main aim, then, is to work through some of the many, many unread volumes currently occupying my shelves. Knowing myself, this resolution will go about as well as most resolutions made around this time, but here’s a prospectus for my 2018 reading premised on optimistic assumptions. I’ll cover only poetry, though undoubtedly I’ll read other things as well.

One of my long-term goals is to familiarize myself with the American poetic tradition, beyond the obvious names. To that end, I’ve been reading the Library of America collection of 19th century American poetry (2 vols.)—see here for my reflections. I’ve still only barely made a dent in the first volume. In 2018, I’d like to make substantially more progress.

Another ongoing project I’ll be continuing is John Peck’s Cantilena, which I began in August 2016, only to set it aside for other reading in 2017. (It’s a demanding book.) But in 2018, I will finish it. I will.

I’d also like to delve further into two contemporary poets whose work I’ve loved. Anne Carson’s Nox and Glass, Irony, and God are sitting unread on my shelf; by the end of the year they’ll be sitting read on my shelf. (I may re-read Plainwater while I’m at it.) Similarly, having loved her recent book Debths, I purchased Susan Howe’s The Nonconformist’s Memorial. I’ve made some brief forays into it, but haven’t read it properly. That’s coming, too.

Leaving the land of the living, I’d like to spend some time with the recently dead. Both of John Ashbery’s Library of America volumes are in my possession. I’ve read about 2/3 of the first, and none of the second. If all goes well, I’ll have read all of both (except perhaps for the unpublished poems) by the end of 2018. Going back a bit in 2017 deaths, I also have The Poetry of Derek Walcott, 1948-2013 lying around, unread, as well as Walcott’s Omeros. And, stretching all the way back to summer 2016, Geoffrey Hill’s collected, Broken Hierarchies, calls to me (I’ve read Without Title and little else by him; see here).

I love Virgil, and spent much of 2017 reading various translations of his Aeneid (Lombardo, Ruden, and Ferry). In 2018, I’ll expand out into some of the other great Roman poets, starting with Horace’s Odes and Epodes (tr. Shepherd) and Ovid’s Metamorphoses (tr. Mandelbaum).

2018 will also be the Year of John. I recently had a poem of mine described as a “metaphysical poem.” It might be good if I knew what that meant, so I’ll read that greatest of the metaphysicals, John Donne, whose Complete Poetry and Selected Prose (Modern Library) I conveniently own. And John Milton’s Paradise Lost was among my delusions about what I’d read in 2017. That didn’t happen; it will in 2018. Finally, John Berryman’s The Dream Songs will also find itself read before the year’s end.

Miscellaneous note

For the curious, my three most-read posts of the past year were:

[1] This post detailing my first encounter with the work of John Ashbery, written shortly after he died (why it was most-read should be obvious).

[2] This detailed analysis of William Carlos Williams’ “Between Walls.”

[3] This post considering the role of ambiguity in Virgil’s Aeneid, book 4.

Advertisements

Parry

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.